Mono NEOLD Oldtimer Vintage Whakaroa
Whakatakotoranga:
- Ingoa Hua: Oldtimer Master Blender
- Āhuatanga: Spatial location control, crossfaded routing, switchable filter module, modulation section, glitch effects
- Awhe Wā Whakaroa: 10 ms ki te 2.5 hēkona
- Mana Urupare: Adjusts the amount of signal fed back into the delay system
Nga Tohutohu Whakamahi Hua
Wāhanga Tātari:
To activate or bypass the Filter section, insert or remove the plug. Adjust the resonance peak by moving the knob left for softer resonance and right for stronger resonance. Control the filter type from low pass to high pass by adjusting the knob accordingly.
Feedback Loop and Echoes:
Erase the feedback loop by using the designated button. Adjust the Feedback knob to control the number of echoes. Cross-fade between Stereo and Ping Pong delay styles to achieve desired effects.
Delay Time and Channels:
Link or unlink the Time knobs for left and right channels as needed. Set the delay time for each channel between 10 ms and 2.5 seconds. Quantize delay time to note subdivisions for rhythmic precision.
Mixing and Modulation:
Mix dry and processed signals using the designated knob. Adjust the output level for the desired gain. Engage the modulation section for additional effects, control speed, and style of modulation as needed.
ANALOG KISSES DIGITAL
Oldtimer is a dual-topology delay that combines the special characteristics of analog bucket brigade designs and early digital systems from the 70s. Its two engines blend seamlessly – not against each other but within each other. This enchanting power creates an incredible range of characterful vintage paoro.
MASTER BLENDER
The Spread knob controls the spatial location of repetitions in the stereo field. Shift-ing toward the sides results in complex, reverb-esque patterns while concentrating on the middle provides great focus and separation. Style configures a crossfaded routing for the delay feedback path, ranging from stereo to fully overlapping ping-pong variations.
NGA KARAKIA ORGANIC
The switchable filter module offers any characteristic between low and high pass. Its additional resonance control creates beautiful accents that evolve with each repetition. The modulation section can blend sine into random waveforms, which are adjustable in depth and speed. Add some dub to your tracks? Just hit Glitch. You’ll love it… ovit… vt.
ANARO
Oldtimer’s analog engine emulates a Bucket Brigade Delay (BBD). Introduced in the late ’60s, CMOS-based ICs were one of the first available technologies to implement signal delays up to 100s milliseconds in a reliable, affordable, and compact manner. While the signal level is stored in a truly analog manner, BBDs are time-discrete devices that sample the signal at a fixed or variable frequency. Thus, additional antialiasing and reconstruction filters are required to interface with the analog domain. Due to the poor SNR of a BBD, a compander system is typically employed to enhance its dynamic range.
Mamati
Oldtimer’s digital engine mimics an early digital delay implementation, including an AD/DA converter chain used to feed an array of random access memory ICs (RAM). This type of delay system was introduced in the 70s and allowed for much higher fidelity than its BBD counterpart. However, this implementation came at a much higher cost both in terms of space and the number of required components. Convert-ers were in their early stages back then, and memory was expensive, thus the resolution was limited to 8/12 bits per sample, me nga sampling rate was rather low, re-sulting in a delayed sound of its own.
KAUPAPA KAUPAPA
- Whakahohe (whakaurua te mono) ka hipa ranei (mono) te waahanga tātari katoa kei raro.
- Ka whakaputa i te tihi orooro ngawari (maui) kaha ake ranei (matau) ki te tātari tapahi.
- Ka whakaranuhia te momo tātari mai i te haere iti (maui) ma te papa papa (waenganui) ki te whakawhiti teitei (matau).
- Ka ūkui i te kauri urupare katoa me te wahangu ka paoro tonu.
- Ka whakahaere i te nui o te tohu ka whakahokia ki roto i te whakaroa me te maha o nga paoro.
- Muhani-whiti mai i te Stereo (maui) ki te Ping Pong (matau) whakaroa.
- Ka aro te paoro ki te waenganui (mauī) mā te kūpapa (waenganui) ki ngā taha (taha matau) me ia tukurua.
- Links (plug inserted) or unlinks (plug out) the Time knobs for the left and right channels.
- Ka tautuhi i te wa whakaroa mo nga hongere maui me te taha matau mai i te 10 ms ki te 2.5 s.
- Ka uru, ka hipa ranei i te mekameka tukatuka tohu katoa.
- Te ine i te wa whakaroa ki te wehenga tuhipoka e tata ana ki te waa o naianei.
- Ko te topology mai i vintage peere brigade tairitenga (taha maui) ki te momo whakaroa mamati moata (matau).
- Ka whakaranuhia nga tohu maroke me te tukatuka mo te whakakotahitanga tino pai o te puna me ona paoro.
- Ka whakatika i te taumata whakaputa, ka whakatinanahia hei taonga raina kaore he tae taapiri.
- Whakataki ai i nga mahi toi matapōkeretia mo te taapiri i etahi oro ki o ara.
- Whakawhitihia te waahanga whakarereketanga katoa i raro ki runga (kua whakauruhia te mono) ka whakaweto ranei (mono ki waho).
- Ka piki ake te tere o te miihini whakarereke mai i te puhoi (maui) ki te tere (matau).
- Hurihia te kāhua whakarerekētanga me te hōhonutanga mai i te ngaru sine (maui) ki te matapōkere (matau).
NGA TAATA
Te wa
Ka tautuhi i te wa roa o te taha maui me te taha matau i waenga i te 10 ms me te 2.5 hēkona. I roto i nga wa kotahi, ka taea e koe te whakamahi i tetahi o nga puku e rua hei tautuhi i te wa roa o te tohu mono.
Hononga
Ko te whakauru i te mahi hono ka mau tonu nga puku wa maui me te taha matau ki te tukutahi. Kei te waatea noa tenei tawhā i roto i nga tauira hiko o te mono.
Tukutahi
Whakauruhia tenei aratau ki te tukutahi i nga wa whakaroa me te waahi o to DAW. Ko nga wa whakaroa ka tatauhia ki te wehewehenga e whai ake nei (hei tauira, te waru o nga korero). Ka whakaatuhia nga wehewehenga i roto i nga korero a nga puku whakaroa.
Mana
Whakamahia te mono hiko ki te whakauru, ki te karo ranei i te mekameka tukatuka katoa o te mono.
Urupare
The feedback knob sets the amount of signal tapped from the delay system’s output and fed back to its input node. Setting higher feedback factors yields a slow-er decay of the echos reproduced by the delay line. 0% corresponds to a single echo while turning the knob clockwise towards the 100% setting allows for endless feedback or even overdriving Oldtimer’s delay system.
Kāhua
The style knob is a continuous cross-fade between Stereo and Ping Pong operation. In the first mode, the left delay input will see the feedback signal of the left delay output channel, and the right channel stays with itself, too. In the second mode, the channels will be cross-fed, allowing e.g. Ping Pong effects, where echos will be reflected back and forth between the left and right channels. This function is only available in stereo instances of the plugin.
Horapa
Spread sets the stereo width of the effect signal. 0 corresponds to mono, while 200% corresponds to maxi-mum stereo widening. Note: This knob is only effective if you move the Style knob away from its 50% setting, which produces a mono-effect signal by construction. This feature is only available in stereo instances of the plugin.
Topology
Oldtimer’s two engines blend seamlessly – not against each other but within each other. This means that instead of running two separate delays in parallel and just blending their outputs, an advanced single-engine dynamically changes all rele-vant parameters in one or the other direction. This helps to control the fidelity and coloration of your delayed signal. Use the topology knob to continuously cross-fade between the analog (0%) and digital (100%) models.
Whakaranu
The mix knob is a loudness-compensated cross-fade between the dry (0%) and the wet (100%) effect signal tapped from the delay. Note: The Mix control can be locked by pressing the padlock button on the right side of the top toolbar. To unlock, press the button again or simply adjust the control.
Taumata
Use the level knob for manual loudness compensation. This is implemented as purely linear gain, with no additional sound coloration from -20 to +10 dB.
Tātari
This plug engages or bypasses the filter section that is implemented as a semi-parametric second-order filter located at the delay system’s output.
Resonance
Ka tautuhi i te haruru o te tātari. Ka whai hua noa tenei ina karekau te puku Momo i tona turanga 0.
Momo
Use this knob to set the filter type. The 0 position corresponds to a flat frequency response while turning it to the extreme positions yields a low pass (lp) or high pass response (hp). Intermediate settings result in all kinds of interesting and musical shelf filter curves. The transition frequency is fixed at 500 Hz.
Kōmuru
Triggering the Erase function will reset the current delay line contents. This is useful as a loop reset when the delay is driven with a lot of feedback and/or longer delay times which will produce a long tail of echoes.
Whakawaenga
Ko tenei mono ka uru, ka hipa ranei i te waahanga whakarereke.
Reiti
Ko te puku reiti e whakatakoto ana i te huringa LFO auau ki te Hz.
Hohonutanga
Depth sets the type and depth of the delay time modulation. Turning the knob counterclockwise generates a pure sine LFO signal with increasing modulation depth, while turning it clockwise produces a random waveform with a maximum frequency that corresponds to the selected rate. The 0 position corresponds to no modulation = off.
Hurorirori kau
Ma te panui i te mono kopa ka raru te tohu karaka o te punaha whakaroa mariko, ka rangona ano he kopa karekau ka matapōkeretia i ia wa ka timata koe i te mahi.
Nga Whakaritenga Pūnaha me te Tautokohia o nga Paerewa Tautoko, Whakahohenga, Whakamanatanga, FAQs
Paeutauta
- Ko tenei tohu e whakarato ana i te mahi whakawhiti matua mo te mono katoa.
- Wetekina/Tuhia ano te tuku kia 32 nga hikoinga o o tautuhinga tata. Me hoki noa atu.
- E wha nga peeke tatūkē takitahi ka taea hoki te mahi aunoa i to DAW.
- Tārua me te whakapiri i ngā tautuhinga o nāianei ki/mai i te papatopenga, tautuhi anō rānei i ngā tautuhinga o nāianei ki te taunoa.
- Locks the Mix control. Press again or simply adjust the control to unlock.
- Whakatuwherahia nga manakohanga GUI (whakaturia te rahi atanga/te kounga me te tairongo kiore).
- Ma te panui i te tohu Moni Alliance ka tukuna koe ki te PA webpae mā tō web pūtirotiro.
- Ma tenei tohu koe e arahi ki te Toa Mono Alliance ma to web pūtirotiro.
- Ka puta ake te korero whakahohe mo te whakamana i nga raihana mono mo o taputapu.
- I konei ka kitea e koe te pukapuka (e hiahia ana kia whakauruhia he panui PDF) me etahi atu korero whai hua.
FAQ
What does the Sync parameter do?
The Sync parameter syncs delay times with the tempo setting of your DAW, quantizing them to the next subdivision for rhythmic alignment.
How does the Feedback knob affect the echoes?
The Feedback knob controls the amount of signal fed back into the delay system, influencing the decay of echoes. Higher feedback settings result in longer decay and potential overdriving effects.
Tuhinga / Rauemi
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Mono NEOLD Oldtimer Vintage Whakaroa [pdf] Pukapuka Tohutohu NEOLD Oldtimer Vintage Delay, NEOLD, Oldtimer Vintage Delay, Vintage Whakaroa, Whakaroa |